This is my drawing of fushias. I apply some frisquet to keep some withes. |
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For the first wash, I applied a warm yellow on the leaves, stems and top of the flowers. I put a warm pink in the flowers and the bottom part, I put some blue at some places in the leaves, some places at the bottom of the flowers and mostly in the empty bottom section. Stapple and dry flat. |
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On dry paper, I put frisquet on all the flowers, leaves and stems. I apply another wash similar as the first but darker. This is to create the colour of the background flowers we will create negatively later. |
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I draw some flowers, leaves and stems in the back of the principle ones. I apply another wash of colour around that new drawing. That is negative painting. |
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Up close. |
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I find myself with ligntly colored flowers and foliage and my white accents of high light. |
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I apply a warm green (more yellow) on the leaves but not on the vaines, and on the stems. I dry and then go back on some areas with a cooler green (mostly blue) to create shadow and give the illusion of roundness. |
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Now the flowers. I keep the white areas to exagerate the sunny spots. It helps determine where to apply the warm pink and cool pink. I apply those washes under each petal, near the heart, to give it fullness. |
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I add shadow color in the areas of the petal that receive no light. This gives volume to the flower. I add a softened line of cool pink on the stems. |
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I apply some cool pink at some areas of the stems. I paint the pistils warm and cool, light or dark but I keep some white. |
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I paint the little lines in the petals, warm on warm, cool on cool, green on whites. I add the finishing touch to te tip of the pistils. |
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This is "summer begins" 10 x 13, that I had the pleasur of painting with students. It is for sale. |
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